Discovering the Bond Between Nature and Art

I think that the beauty and grandeur of nature has long been a profound source of inspiration for artists. From the intricate patterns of leaves to the vastness of landscapes, the natural world offers endless possibilities for creative expression. When an artist sees something awesome, he or she is compelled to express that awe. I wanted to take a few minutes and explore how nature and art intertwine, creating a harmonious relationship that has captivated artists and audiences alike for centuries.

Nature’s Role in Art

Nature serves as both a muse and a medium for artists. The beauty, diversity, and complexity of the natural world provide a rich tapestry of subjects to explore. Artists like J.M.W. Turner, for example, use elements from nature such as leaves, branches, and flowers to create stunning pieces that blur the lines between art and nature. Her work is a testament to the deep connection between the two, showcasing how natural elements can be transformed into captivating art.

Historical Insights

Throughout history, artists have turned to nature for inspiration. The Romantic movement in the 19th century, for instance, emphasized the sublime beauty of nature, with artists like John Constable and Caspar David Friedrich creating dramatic landscapes that evoke a sense of awe and wonder. Similarly, the Impressionists, including Renoir and Degas, captured the fleeting effects of light and color in their depictions of natural scenes.

Contemporary Views

In contemporary art, the connection between nature and art continues to evolve. Artists are increasingly using their work to address environmental issues and promote sustainability. The movement of sustainable art, for example, encourages us to think more deeply about our impact on the planet and how we can use art to foster a greater appreciation for the natural world.

Art as a Conservation Tool

Art has the power to raise awareness about environmental conservation. Organizations like Artists for Conservation use art to support nature through their work, often donating a portion of their sales to conservation efforts. This not only highlights the beauty of the natural world but also underscores the importance of preserving it for future generations.

Really, the connection between nature and art is a testament to the enduring bond between humanity and the natural world. Through art, we can celebrate, contemplate, and preserve the wonders of nature, ensuring that its beauty continues to inspire and enrich our lives. Whether through traditional landscapes or innovative sustainable art, the relationship between nature and art remains a powerful and dynamic force in the world of creativity.

Crafting the Perfect Title for Your Artwork

Quite honestly, selecting an ideal title for a painting can be as intricate for an artist as the creation process itself. A thoughtfully chosen title can elevate the viewer’s experience, offer insights into the artists’ creative journey, and add depth to the piece. If you’ve ever needed some help in coming up with the perfect title, here are some strategies that might help you find the right title for your art. 

1. Capture the Core of Your Creation

Begin by contemplating the central message or emotion you wish to convey. What sparked the creation of this piece? What emotions or thoughts do you want to evoke in the viewer? A title that encapsulates the essence of your work can forge a stronger connection with your audience. 

2. Employ Descriptive Terms

Descriptive titles can provide context and assist viewers in understanding what they are observing. For instance, if your artwork portrays a tranquil landscape, a title like “Mist Rising” or “Peaceful Sunrise Over the Ridgeline” can set the scene and evoke a specific mood. 

“Begin by contemplating the central message or emotion you wish to convey…”

3. Integrate Symbolism

Consider the symbols and metaphors within your artwork. Titles that allude to these elements can add layers of meaning and encourage viewers to delve deeper into your work. For example, a piece featuring a solitary tree might be titled “Blissful Solitude” or “Guardian of the Mountain.” 

4. Simplify

Sometimes, simplicity is key. A short, memorable title can be more impactful than a lengthy, complex one. Strive for clarity and avoid overly complicated or obscure references that might perplex your audience. 

5. Play with Words

Clever wordplay or puns can make your title stand out and infuse a touch of personality into your work. Just ensure that the wordplay aligns with the tone and theme of your artwork. 

6. Gather Feedback

Don’t hesitate to seek input from friends, fellow artists, or mentors. They might offer perspectives you hadn’t considered and help you refine your title. When I feel stuck regarding what to name a painting of mine, I usually ask my wife Joy. Even if she doesn’t come up with the perfect idea, she can steer me in a good direction. I’m also known to stick a photo of an unnamed painting on Facebook and ask for title suggestions. I almost always get some great ideas (and it’s fun to include other people in the creative process!

Choosing a title for your art is a creative endeavor in itself. By capturing the core of your creation, employing descriptive terms, integrating symbolism, simplifying, playing with words, and gathering feedback, you can find a title that enhances your artwork and resonates with your audience.

The Worst Advice I’ve Ever Received as an Artist

Every artist’s journey is filled with moments of inspiration, growth, and, unfortunately, some misguided advice. Reflecting on my own path, one piece of advice stands out as particularly detrimental: “Stick to one style and never change.”

At first glance, this advice might seem practical. Consistency can indeed help build a recognizable brand. However, for an artist, this can be incredibly stifling. Art is about exploration, experimentation, and evolution. Being confined to a single style can hinder creative growth and limit the potential to discover new techniques and perspectives.

“Embrace change, experiment boldly, and let your art evolve naturally…”

When I first started, I was eager to find my unique voice. I experimented with various mediums, styles, and subjects. However, after receiving this advice, I felt pressured to conform to a single style that was gaining some attention. I spent months creating similar pieces, but over time, I felt my passion waning. My work became repetitive, and I lost the joy of creation. It wasn’t until I decided to break free from this constraint that I truly began to flourish. I allowed myself to explore different styles again, blending elements from various influences. This not only reignited my passion but also led to a more authentic and dynamic body of work. My audience appreciated the diversity and evolution in my art, and I felt more fulfilled as an artist.

The lesson here is clear: while consistency has its place, it should never come at the cost of your creative freedom. Embrace change, experiment boldly, and let your art evolve naturally. The worst advice I ever received taught me the importance of staying true to my creative instincts and the value of artistic growth. So, to all the artists out there, remember: your journey is uniquely yours. Don’t let anyone box you into a single style. Explore, evolve, and most importantly, enjoy the process. Your art will be richer for it.

Overcoming Artist’s Block: Practical Tips

“I look into my creative soul for an idea…ANY idea. And it’s just a dark, silent abyss. I have absolutely nothing creative going on in my head. What do I do to get that spark back?”

First of all, look…every artist faces artist’s block at some point. It can be frustrating, but it’s a natural part of the creative process, so please be kind to yourself. I don’t have a cure-all, but I do have a few ideas you might try that have helped me:

 1. Start Creating Sometimes, the best way to overcome a block is to simply start. Put something—anything—on the canvas or sketch pad. It doesn’t have to be perfect. The act of creating can help break the inertia and get your creative juices flowing. 

2. Change Your Surroundings A change of scenery can do wonders for your creativity. Travel, visit an art museum, or even just take a walk in a new neighborhood. New experiences can provide fresh inspiration and new perspectives. 

“Creative block can be frustrating, but it’s a natural part of the creative process…”

3. Try Creative Exercises Engage in different creative exercises to stimulate your mind. This could be doodling, experimenting with new materials, or trying a different art style. These exercises can help you break out of your routine and spark new ideas. 

4. Take a Break Sometimes, the best thing you can do is step away from your work. Take a break, do something you enjoy, and give yourself time to recharge. When you return to your art, you may find that you have a fresh perspective. 

5. Seek Inspiration Look for inspiration in other artists’ work, read inspirational art quotes, or watch documentaries about artists. Seeing how others overcome their challenges can motivate you to push through your own block. 

6. Set Small Goals Break your project into smaller tasks and set achievable goals. This can make the process feel less overwhelming and help you build momentum as you complete each step. 

Trust me, artist’s block is a common challenge, but it doesn’t have to halt your creativity. Every artist goes through this at some point. Like it or not, it’s just part of the journey. If you have an idea for something that’s helped you, please by all means share that idea here in the comments!

Question 12: "What do you do when you have a mental block?"

“In the Heart of the Woods”

This question definitely falls into the category of “Last but not Least”: “What do you do when you have a mental block?”. This is such a difficult question to answer, and THAT may baffle non artists. I’ve never heard of a doctor or a car mechanic or an attorney or an insurance salesperson say “I just have no idea where to start. My head isn’t in this at all.” Maybe they say that. Maybe I’m making a huge assumption based on ignorance. I just know that when it comes to creating…creating something out of nothing, it requires inspiration. It really does. Whether that’s writing a song that has never been sung, or writing a poem that’s never been spoken or painting a painting that’s never been seen…creating from nothing requires an almost “spiritual” energy.

If that is an accurate way of looking at it, then because I am not God (the source of unlimited spiritual energy), I have only a bit here and there. I am a rechargeable “AA” battery, and not a cold fusion reactor. And so, a creative person absolutely needs to recharge their AA battery or nothing will happen creatively at all.

So my answer to the question of what to do when I have a “mental block” is a very person answer. I have my own answer, but if YOU were asking me this question, rather than telling you my own answer, I would first have to ask you a question. My question would be “What is ‘life-giving’ to you? What recharges you?” Maybe it’s cooking. Maybe it’s hanging out with friends, or hiking, or traveling, or reading, or singing in the shower, or finger-painting or taking a long drive. Do that. Do whatever recharges your own AA battery. My answer is MY answer and I'm fine sharing MY answer when specifically asked, but I don’t think this is the place to do that. See, your answer to a truly “spiritual question” is also a very deeply “personal answer”. Your answer is as custom fit to you as mine is to me. So I make it a rule of thumb not to give my own answer unless I’m actually asked for it.

The point though is, if you are creative and you have a mental block, you need to figure out how you’re put together so to speak. What is akin to “inhaling”? If you exhale (create), you HAVE to inhale to keep the whole process going. This is very, very difficult in our modern western society, because time does not allow for “luxuries” like taking a walk or savoring a slow, quiet afternoon, or turning the lights out and listening to a Brahms Symphony. The way we look at these “luxuries” is all wrong though. We are humans, not robots. We require real, spiritual input to create beauty. That input is not a luxury. That is real. That is life. And that is deeply, deeply human.

Question 11: Where do you get inspiration for your work?

This question, “Where do you get your inspiration?” is one of the most asked questions I get. And it’s funny. It’s actually one of the most difficult questions to answer. It’s like someone asking you, “how do you breath?” Simple question, but how do you answer it? “I…uh…just do?” I don’t know how other artists might answer this question, but since this is my blog, I’ll answer it for myself.

For me personally, I need peace inside my head to create. I need quiet. This may just be because I’m an introvert rather than because peace is intricately connected to creativity. I don’t know. Maybe an extroverted artist would feel different, but that’s not me. And for me, quiet and peace happen best when I’m walking or (preferably) hiking in nature. It can take me a while to walk a few miles because I like to stop and just breathe, listen, take in the essence of the place. Hah! That sounds so “spiritual” but honestly, for me, I guess it really is. I can’t think outside the box and create when life is rushed, loud and crazy. I love rushed, loud and crazy (in bite sized pieces), don’t get me wrong. I just can’t create in that environment.

“…I feel the intense desire to communicate to someone else what I’m feeling at that moment in such a way that they feel it too.”

And usually, walking in that quiet place, taking it all in, I’m with my wife Joy. So it may be quiet around me, but I sometimes talk a lot in that context, expressing myself and processing the emotions the place excites inside my head. Does anyone else do this??? I’m probably really annoying to hike with.

Joy: “Why are we stopping?”

Me: “Listen to that!”

Joy: “What? I don’t hear anything”

Me: “I know. Isn’t it beautiful? Just the wind…that’s all I hear. That’s so beautiful!”

Joy is very patient and is really great at entering with me into that “sacred space”. It’s there I get ideas, and at that point, it’s not just “Oh, I can paint that mountain over there!” It’s more like I feel the intense desire to communicate to someone else what I’m feeling at that moment in such a way that they feel it too. When you look at it that way, it’s actually a very intimate thing — creating a piece of art.

So in a nutshell, I get my inspiration from walking, prayer, breathing and listening in the context of nature. It can take hours, so I can’t rush it at all. But given the time (and the quiet), inspiration comes and at that point, in that quiet moment, it can ironically break in like a hurricane. I love that.

"What inspires you as an artist?"

This week, I had the privilege of spending some time with one of my clients up in Pittsburgh, PA. I really enjoy the social part of what I do. The actual creation of artwork is very much a solitary “in my headspace” kind of work, so balancing that intense introvert time with some extrovert social time is a very necessary and wonderful thing. During that time shared, my client Josh asked me a question: “What inspires you as an artist?” I gave my short answer, but I’ve been thinking about that question for the last few days and figured it would help if I wrote down my answer.

When I take the time to really think deeply about what fans creativity in me — what inspires me to create, I keep coming back to one primary thing: When I paint, I basically am attempting to play God. I am trying to create a perfect world, albeit just in my artwork. I know that’s just me. There are so many artists both now and through history who don’t look at their artwork like I do. There are artists like Goya who used their work to shock the viewer as he attempted to use his artwork to display the really horrors of war. He was amazing. But I wouldn’t want a Goya hanging on my living room wall. It would creep me out. Please hear me — I’m not devaluing art that is like that. I can see the value and really do appreciate the fact that because art can “get into the soul of the viewer”, art created to provoke or instruct or shock the viewer is an absolutely valid way to use art. That’s just not me.

When I paint, I basically am attempting to play God.

I am busy trying to Eden. No big deal, right? That sounds really crazy or immensely egotistical but that really is at the heart of what I’m doing. With my artwork, I’m trying to imagine a world where there is always beauty, where this is no war, no death or sickness or sadness, where there are no power-hungry politicians or narcissistic leaders. A world where swords are not beaten into plowshares because swords never existed I the first place. That’s the world I am trying to create with my artwork: the world I’m looking for. When people have looked through my gallery and say, “I love your work. There’s just something really calming about it”, I smile to myself. “Calming about it?,” I want to say. It’s Eden. That place still calls to us. I suspect we’re all trying to create that perfect world, and stumble all over ourselves and everyone else because we’re attempting to create a place that by definition is perfect, and we are not. How do we make a world where there is no selfishness when we are selfish, or a world where there is peace and tranquility when there is war inside our own heads?

The answer to that question deserves a very long book and not a blog post. But if you look back at my artwork posted here on my website, you can see that longing, that reaching out to a world I wish was real, which (maybe???) CAN one day be real? Until it is real, my goal is to live my life as if it were real...To treat people the way I would treat them were we to be living in one of my landscapes so to speak. I’m not very good at that because I’m a very selfish person and hurt people as often as I encourage them. But no matter how old I get and no matter what my life path has led me through to date, I cannot shirk the longing for that place. That place I’ve never seen or fully experienced, but I’ve felt it so very close from time to time. And those brushes with the sublime, with the utterly holy — that is what fuels my creativity. THAT is why I paint what I paint.

An Artist in Italy (Part 1)

This is one of the photos currently becoming a painting! I took it on an amazing hike we took just east of Pacentro, Italy.

Five years ago, I visited Italy, and ever since, I’ve been trying to figure out how and when we could get back there. Italy is not for everyone, but it’s definitely for me. Upon returning from Italy in 2017, I begin learning Italian. I was serious. I began discretely passing on little news articles to Joy about Italian villages offering homes for 1 euro. Joy has become very good at rolling her eyes.

Despite the realization I would never relocate to a hilltop village in Italy, Joy and I were finally able to visit again in early September of this year. Upon arriving in Rome, we headed directly east to Abruzzo, and then south into Puglia. Oh, Italy did it’s work on me, and I’m so glad. I’ll never really be the same.

If you’re still reading this, you might have realized that this blog post has little to do directly with “art”, but my experience there had a lot to do with creativity and life in general, and that all informs the artwork I do. I feel the need to write down my thoughts. So if you’re reading this, be aware this is going to be more of a journal entry than a typical blog post.

So, here we go:

What I learned from Italy, Part 1

First of all, and probably most importantly, Italy completely confronts my tendency to feel like I’m in control of my life. In Italy, Italy controls your life. From the first moments after picking up our rental car and wondering how the heck to get out of the airport (the signage was not AT ALL clear on this), the American in me threatened to bristle and think “well why don’t they have better signage???” (i.e. “why don’t they do things like Americans?”)

Literally, countless times every day, Joy and I were confronted with the fact that life is just really approached differently in Italy than in the United States and that is exactly why I wanted to visit this place again. I can’t tell you how emotionally healthy it felt to just take a deep breathe, sigh, and say (over and over again like a mantra), “I want to do this or that, but…we’ll see.” You’d have to know me to understand that that just is not me. My kids would probably all agree I have a Type A personality (which is why I need to visit places like Italy). See, in Italy, all my plans had to be held very loosely in order to enjoy the place at all. I had every day pretty much all planned out, but Italy dictated that I hold those plans in an open palm, and to be open to practically anything changing those plans. At that point, I was confronted with a choice: I could either really dig in my heals and fight it and wish I’d gone to Germany or England instead, OR give into it and roll with it, letting Italy shape me like I was a lump of clay on a potters wheel and Italy was the potter. I chose the latter and I’m so glad I did.

Italy was absolutely exhausting and absolutely wonderful. I probably almost died there, and unrelated to that, I took home a souvenir that made me more sick than I ever remember being in my life. But I’m ready to go back. I love that place and have lots of stories and reflections I want to share.

Next time.

"What is it like being an artist these days?"

“Le Canal du Midi”

This week, I was talking to some studio visitors and they wanted to know a bit about my background and how I came up with my technique. I’m used to questions like that, but then they asked about what it’s like being an artist today. And I thought that was a really good question. Pre-COVID (remember those days??) that would have been a relatively easy question to answer. Being an artist is fun! I can (and have) done other jobs. This art thing is not a “job”. This is life. Painting for me is “life-giving”and I absolutely love it. Having a studio in Asheville, North Carolina where I can share my artwork with literally thousands of visitors every year is amazing. What an awesome privilege. How many artists around the country would love the chance to create their art within such an awesome community of artists here in Asheville? Pre-COVID, that would basically have been my answer.

Now, two years into the pandemic and feeling fairly hopeful about all that, my answer honestly is more contemplative and sober. These days, with wars and political discord and cultural polarization, I honestly have gone through weeks feeling really superfluous being an artist. I mean honestly, when the economy is tanking and all the headlines are depressing, it’s really easy to feel like what I do is unimportant and not really “necessary” to anyone but me.

But even during the darkest days of COVID and during this economically “uncertain” time, I make sales. I don’t understand, but I am still making sales and breaking my own records. I am confused and absolutely full of thankfulness. My clients are so, so encouraging and especially during the last couple years, I’ve really received that encouragement with a sense of thankfulness and awe. One 2021 client in Oklahoma said “especially now, I need artwork on my walls that makes me feel what your painting makes me feel. They take me somewhere else. Thank you!”

“I am confused and absolutely full of thankfulness…”

This is so encouraging and really humbling. I am feeling now like I need to take every painting, every creative project really seriously. This work I do isn’t just to create something that looks nice on a wall. What I want to do is to affect people. During times of uncertainty, grief, fear, frustration and anger…if I can, I’d like to create something that brings a sense of peace; something that will inspire imagination and curiosity in the viewer. I want to create something that will “take them away” to a peaceful place if only for a few minutes. If ALL of us did that, this world would be an awesome place to call home.

I can’t change the world for everyone. But if everyone changed the world for one person, that would really be something. I try to do that with the only thing I know how to do well…art. What do you enjoy doing? How could you use that to encourage the life of one person this week? You up for that? If so, I’d love to know any details you’d like to share. I think this planet, these people (broken though we are) are really worth investing in. THAT is why I do art now.

What's in a Compliment?

When I was a kid, I used to love looking through Time-Life books when I was bored. My parents had a whole set of them and my favorite one of all was about artists. I was mostly interested in impressionism. I had no idea why. I liked the colors. And yes, I really was that big a nerd.

It wasn’t until I was in high school that I learned that the impressionists like Monet and Renoir knew something about colors I knew intuitively but had not really had the time or maturity to have thought it through. What made the colors they used “pop” was their use of complimentary colors. So when most of the kids in my tenth grade art class were staring out the window or counting the dots in the acoustic tiles overhead (I saved that activity for algebra class), I was wrapped in attention. The teacher was explaining what seemed like the secrets of the universe. “This is how colors work”…amazing.

So, here’s the secret of the color universe…

When using primarily one color for the main subject of the painting, use the opposite color on the color wheel for the shadows or accents. The photo of the painting I did (at the top of the page) uses primarily green as the primary color, correct? What color is on the opposite side of the wheel? Maroon and purple, right? So look at the accent colors I used in the background and in the pathway…maroon and purple! Voila!

I literally think through this while painting every single piece I paint. I want colors to stir the viewer. I want colors to grab you and slap you silly. That is done not just with bright colors, but with complimentary colors.

I want colors to stir the viewer.

So what’s in a compliment? Everything (when you’re an artist).

I think there’s a life lesson here too. It’s getting more and more popular to demonize “the others” (people who are not like us). But my best experiences with relationships have ended up being with people who were both like me and completely unlike me. Opposites. What an amazing thing it would be if people from my own culture would seek out different cultures and people and languages and work together to create a more beautiful cultural experience than would ever be possible when that culture is “monocultural”. What a shame. I’d never create a painting with just warm colors. If I didn’t use some cool colors as well, that painting would not be beautiful at all. Again, maybe it’s just my opinion, but we may all have something to learn about life from our tenth grade art class!