Why Travel is Crucial for Unleashing Creativity

In today's world, creativity can easily be stifled by routine and the mundane. One of the most effective ways to reignite that creative spark is through travel. I think probably any travel will do. Stepping out of your comfort zone and immersing yourself in new environments can dramatically fuel your creativity in unique and powerful ways.

Exposure

I think the reason travel can ignite creativity is because travel exposes us to different cultures, landscapes, and ways of life. These experiences challenge our existing beliefs and open our minds to new possibilities. Whether it's the vibrant colors of a street market in Morocco, the intricate designs of a European cathedral, or the tranquility of a Japanese garden, these experiences can spark fresh ideas and inspire new artistic directions. The diversity in art forms, architecture, and customs broadens our creative horizons and encourages innovative thinking.

Immersion

Immersing yourself in a new culture provides a wealth of inspiration. By learning about local traditions, tasting new cuisines, and engaging with people from different backgrounds, you enrich your understanding of the world. These experiences provide a rich source of inspiration for artists. Whether it’s the rhythm of a traditional dance, the storytelling methods of indigenous communities, or the patterns in local textiles, cultural immersion stimulates the imagination and brings a fresh perspective to creative endeavors.

Breaking Routine

The other thing is that breaking routine is crucial to a free flow of creativity. Routine is crucial, don’t get me wrong. Routine is comfortable. But routine can also be a significant barrier to creativity. The monotony of everyday life often leads to a mental block, making it difficult to think creatively. Traveling disrupts this routine by introducing new stimuli and experiences. Whether it's a seaside retreat, a mountain hike, or an urban adventure, a change of scenery revitalizes the senses and encourages a new outlook. The unpredictability of travel forces us to adapt and think quickly, often leading to innovative ideas and solutions.

Reconnecting with Nature

Nature has long been a source of inspiration for artists. Travel allows us to reconnect with the natural world, away from the distractions of technology and urban life. The awe-inspiring beauty of a sunset over the Grand Canyon, the serenity of a forest path, or the powerful waves crashing against the shore can evoke deep emotions and inspire creative expression. Spending time in nature nurtures our sense of wonder and encourages artistic exploration.

Travel is a powerful catalyst for creativity. It provides new perspectives, cultural immersion, a break from routine, and a connection with nature. By stepping out of our comfort zones and embracing new experiences, we open ourselves to a world of inspiration. So, pack your bags and set off on an adventure – your creativity will thank you.

How to Determine Subject Matter for Your Next Painting

“What do I paint?”

Every painting starts with that question and it can be a pesky question! Finding inspiration for your next painting is usually exciting and sometimes a bit overwhelming. Here’s a guide to help you tap into your creativity and come up with fresh ideas.

First of all, I’d say to just start with what moves you. Personal experiences and emotions are gold mines for inspiration. Reflect on recent events, travels, or meaningful conversations. These moments can spark an idea for a painting. Maybe a walk in the park inspires a landscape, or a heartfelt chat with a friend leads to a compelling portrait.

Look around you. Your surroundings are full of potential subjects. Pay attention to colors, textures, and patterns in your environment—whether at home, on the street, or in nature. Sometimes, simply observing the world around you can bring mundane objects to life in a new way.

Immerse yourself in art. Visit galleries, museums, or explore online collections. Seeing other artists’ work can ignite your creativity. Don’t just focus on famous pieces; lesser-known artists often offer fresh perspectives that can be incredibly inspiring.

Experiment with different mediums and techniques. Playing with new tools and methods can lead to unexpected results and help you find your unique voice. This playful approach is key to unlocking new creative avenues.

Keep a sketchbook. It’s a great way to capture quick ideas and experiment with compositions without pressure. Regular sketching keeps your creative muscles active and helps you develop concepts for larger works.

Tune into your emotions. Art is a reflection of your inner world. Let your feelings guide your brush. Whether you’re feeling joyful, melancholic, or contemplative, these emotions can shape the direction of your work.

There’s no single path to inspiration. Stay curious, open-minded, and let your creativity flow. The world is full of ideas waiting to be captured on canvas. So, go ahead and explore—you never know where your next masterpiece will come from.

My Favorite Artist

If I had to choose, I'd say Vincent van Gogh is my personal favorite artist. Van Gogh’s work exudes an emotional intensity that’s hard to match. His bold brushstrokes and vibrant colors are a testament to his passion and often troubled mind.

What truly captivates me about Van Gogh is his ability to convey raw emotion through his art. Take “Starry Night,” for example. The swirling skies and glowing stars aren’t just beautiful—they’re an expression of his inner turmoil and awe of the natural world. The painting feels alive, with every stroke pulsating with energy and feeling. It’s this emotional depth that sets Van Gogh apart for me.

His use of color is another aspect that draws me in. Van Gogh didn’t just paint what he saw; he painted what he felt. The intense yellows of “Sunflowers” or the deep blues of “The Starry Night” speak to his unique way of seeing the world. He used color to communicate mood and emotion, turning even the simplest scenes into powerful, evocative works.

“Van Gogh didn’t just paint what he saw;

he painted what he felt.”

Van Gogh’s life story adds another layer to my admiration. Despite his struggles with mental illness and a lack of recognition during his lifetime, he never stopped creating. His dedication to his craft, even in the face of adversity, is incredibly inspiring. It’s a reminder of the power of perseverance and the importance of following one’s passion, no matter the obstacles.

Ultimately, Van Gogh’s art is a testament to the human experience—its highs, lows, and everything in between. His paintings are a vivid, poignant reminder that beauty can be found even in pain. Van Gogh’s ability to capture the complexity of human emotion and the beauty of the world around us makes him my favorite artist.

Creativity and Exploration

This summer, I was fortunate enough to undertake an incredible adventure through Greece, and my creative juices are flowing more than ever. The trip was a whirlwind of inspiration that has profoundly impacted my art.

Roaming around Athens, the grandeur of the ancient ruins, like the Parthenon, hit me hard. The architectural marvels aren't just historical relics; they’re masterpieces of balance and proportion. These structures pushed me to rethink the geometric precision in my own work, urging me to integrate more deliberate lines and symmetry.

The colors of Greece are mesmerizing. The turquoise waters against the crisp white buildings in coastal towns like Nafplio and Monemvasia create a stunning contrast that I couldn’t resist bringing into my art. I’ve started experimenting with these color palettes, aiming to capture that same sense of clarity and serenity.

“The colors of Greece are mesmerizing…”

Then there was the spontaneity of exploring small villages and markets. Interacting with local craftsmen and watching them at work was a revelation. Their dedication to their craft reminded me of the importance of hands-on experimentation and play in the creative process. Whether it’s trying out new techniques or mixing unconventional materials, this spirit of exploration is crucial. It’s about allowing oneself to play with ideas, to experiment without fear of failure, and to discover new possibilities.

One particularly impactful moment was visiting the monasteries in Meteora, perched on towering cliffs. The sheer audacity of their construction and the meditative quiet of the surroundings inspired me to incorporate more contemplative elements into my art. It’s about finding that balance between boldness and serenity.

Overall, my trip to mainland Greece was a profound reminder of how essential exploration and play are in the creative process. It’s through these unstructured, playful moments that innovation happens. Greece’s vibrant landscapes, rich history, and the spirit of its people have left a lasting imprint on my artistic journey, encouraging me to embrace both the precision of ancient structures and the spontaneity of modern life in my work.

If you ever feel stuck, sometimes the best thing you can do is wander, explore, and let your creative spirit play. Greece taught me that in the most beautiful way possible.

"What inspires you as an artist?"

This week, I had the privilege of spending some time with one of my clients up in Pittsburgh, PA. I really enjoy the social part of what I do. The actual creation of artwork is very much a solitary “in my headspace” kind of work, so balancing that intense introvert time with some extrovert social time is a very necessary and wonderful thing. During that time shared, my client Josh asked me a question: “What inspires you as an artist?” I gave my short answer, but I’ve been thinking about that question for the last few days and figured it would help if I wrote down my answer.

When I take the time to really think deeply about what fans creativity in me — what inspires me to create, I keep coming back to one primary thing: When I paint, I basically am attempting to play God. I am trying to create a perfect world, albeit just in my artwork. I know that’s just me. There are so many artists both now and through history who don’t look at their artwork like I do. There are artists like Goya who used their work to shock the viewer as he attempted to use his artwork to display the really horrors of war. He was amazing. But I wouldn’t want a Goya hanging on my living room wall. It would creep me out. Please hear me — I’m not devaluing art that is like that. I can see the value and really do appreciate the fact that because art can “get into the soul of the viewer”, art created to provoke or instruct or shock the viewer is an absolutely valid way to use art. That’s just not me.

When I paint, I basically am attempting to play God.

I am busy trying to Eden. No big deal, right? That sounds really crazy or immensely egotistical but that really is at the heart of what I’m doing. With my artwork, I’m trying to imagine a world where there is always beauty, where this is no war, no death or sickness or sadness, where there are no power-hungry politicians or narcissistic leaders. A world where swords are not beaten into plowshares because swords never existed I the first place. That’s the world I am trying to create with my artwork: the world I’m looking for. When people have looked through my gallery and say, “I love your work. There’s just something really calming about it”, I smile to myself. “Calming about it?,” I want to say. It’s Eden. That place still calls to us. I suspect we’re all trying to create that perfect world, and stumble all over ourselves and everyone else because we’re attempting to create a place that by definition is perfect, and we are not. How do we make a world where there is no selfishness when we are selfish, or a world where there is peace and tranquility when there is war inside our own heads?

The answer to that question deserves a very long book and not a blog post. But if you look back at my artwork posted here on my website, you can see that longing, that reaching out to a world I wish was real, which (maybe???) CAN one day be real? Until it is real, my goal is to live my life as if it were real...To treat people the way I would treat them were we to be living in one of my landscapes so to speak. I’m not very good at that because I’m a very selfish person and hurt people as often as I encourage them. But no matter how old I get and no matter what my life path has led me through to date, I cannot shirk the longing for that place. That place I’ve never seen or fully experienced, but I’ve felt it so very close from time to time. And those brushes with the sublime, with the utterly holy — that is what fuels my creativity. THAT is why I paint what I paint.

An Artist in Italy (Part 2)

Pacentro, Italy

I was talking to someone the other day and mentioned I’d just gotten back from visiting Italy, and he then asked me about the crowds. “It’s so touristy!” he said. “I want to go somewhere less crowded”. I get that, but the problem is not that there are too many tourists in Italy. The problem is that all the tourists are looking at the same instagram feeds while planning their itinerary.

One awesome thing I tried when planning my itinerary was how to work around the “Instagram affect”. So I googled “Less visited parts of Italy”. I discovered one of the least visited regions (by American tourists) is the region just east of Rome: the region of Abruzzo. So I checked it out. It looked beautiful — Lots of cool hilltop towns and lots and lots of mountains begging to be hiked and explored. So then I googled “most interesting places to see in Abruzzo”. And that sort of planning made for a wonderful time for us. Planning the itinerary this way, we discovered one of my very favorite towns (perched on a mountainside) called Pacentro. It was a friendly place for tourists, but not overrun by tourists at all. I heard no English conversation at all. If there were visitors, they were mostly Italian.

The problem is not that there are too many tourists. The problem is that the tourists are all looking at the same Instagram feeds while planning their itinerary.

This town is ancient, with narrow, stone streets winding their way up the mountainside to the castle. In the old part of town (where we stayed), there were no cars allowed on the streets (hard to fit a car on a 6’ wide “street”!) Joy and I loved this place. In the morning, we’d open the windows and hear the jovial conversation of neighbors. When we’d come back in the evening, we’d grab something to cook at the local (very small) grocery store and then go back home and cook dinner. But then — in Italy, after dinner there is a ritual: the passeggiata. This is when the whole town walks around and meets their friends at one of the cafe’s for a coffee or a glass of wine. Joy and I walked across town to the small park overlooking a large valley below, and then slowly made our way back home, passing the main piazza filled with people sitting, chatting, and laughing quietly. Understand, this is not a nightly “party”. They’re not at all being loud. They’re just all seemingly enjoying each other. In Pacentro, I heard no TV on at all. As an American, if I were home at 8:00 PM, I’d be watching Netflix. Instead, these people were sitting around the fountain in the piazza, sitting on doorsteps, sitting in outdoor cafe’s — all just spending time with each other. This seemed really beautiful to me. I’m an introvert, but even I could recognize the beauty in this ritual. I loved Pacentro.

So the first and one of the most important lessons on trip planning was this: find the most beautiful of the less visited areas of wherever you’re traveling to. Planning like that scored big time for Joy and I. The last week of our trip, we threw out all this reasoning and lived to regret it big time. More on that next.

"Are All Artists Introverts?"

How many extroverts does it take to change a light bulb? Twenty. One to change the bulb and the others and cheers him on and enjoy that moment of comradery.

How many introverts does it take to change a light bulb. None. He’d rather light a candle instead because of the beautiful ambience that candlelight creates.

Wow, okay this morning I was talking to a studio visitor and she was really trying to understand the artist mind. GOOD LUCK WITH THAT ONE! After trying to figure me out, she said that she assumed that all artists were introverts and that it was so odd I was obviously an extrovert.

But…

I am no extrovert. I know how to act like an extrovert. I even enjoy it. But it’s exhausting to me. I don’t think she believed me when I told her that though. ”You seem like a happy person though,” she said, “and obviously one that likes being around people”.

This brings up so many thoughts in my head, and I need to write them down to process them:

• First of all, I would imagine an artist could be EITHER personality type. I would also imagine that the art an extrovert would come up with might look and feel different from that produced by an introverted mind, but maybe not. But yes, I don’t know what being an extrovert or introvert has to do with being an artist of some sort.

• This woman was seriously doubting that I was in truth an introvert (because I seemed happy and obviously enjoyed people). Okay look, introverts are not always depressed. There. I said it. You know, extroverts can get depressed too. Introversion and misery are not synonymous. I personally know introverts who laugh. True statement. And we can be very happy (as long as we get some alone time to recharge). And both introverts and extroverts have to recharge to love people well and to enjoy life. We both do it, we just recharge differently.

• Introverts don’t hate being with people. We get bad press. Being an introvert does not mean you don’t love and enjoy people. My gosh, from what I read, even Jesus Christ went off by himself at times to be with his own mind and his God. I don’t think people associate Jesus with someone who did not love and enjoy people though, right? Extroverts may like huge parties (with 100 of their closest friends) and loud music and lots of commotion. I get that. I don’t understand that but I get it. See, introverts like SMALL get togethers or one-on-one social settings so that we can have a real, deep, powerful and honest conversation. I’m not saying that extroverts don’t experience that at their large, loud parties. I just don’t fathom how that’s possible. But then, I’ve never been an extrovert so I’m completely ignorant on that point.

I admit I’m totally baffled by extroverts in general. You are a complete and wonderful mystery to me! I need y’all in my life though. My wife and three of my four kids are extroverts. Introverts desperately need extroverts in their lives. You keep life very entertaining! And I would think extroverts need introverts in their lives too. Because of our differences, we can compliment each other, like a bit of salt and a bit of sugar in that cookie recipe you like. Salt and sugar are very different but they go together so well.

So bottom line, I do not believe all artists are automatically introverts. I may be wrong. Honestly, I have no idea. I do think that what makes you introvert and extrovert is not really what you do per se, it’s where you go to recharge emotionally and spiritually AFTER you do whatever you do. My wife and kids totally get recharged by being with people. I get recharged by sitting by myself and letting my mind rest. It’s not that an introvert longs to sit in the dark and embrace misery. It’s joy we are trying to embrace there. Personally, I really crave quiet sometimes. We both (extroverts and introverts) need that recharging time so we can be ready to get back to the craziness and joy of life, it’s just that we have different types of batteries we’re charging I think. What a complex and beautiful thing is a human mind!

I feel better now. Back to painting.

"Mullaghmore": The Story Behind the Painting

“Mullaghmore” (34” x 54”)

A few years ago, Joy and I had the privilege of visiting some dear friends in Ireland. They had moved from the central part of the country to Donegal (on the northern coast). While there, we visited historic villages and castles, forgotten and remote coves, did some amazing hiking on Europes tallest sea cliffs and rented bikes (discovering that riding a bike in the rain can be fun!). This was all in addition to spending some very pleasant hours chatting with our friends.

“I discovered I was just another ignorant American…”

One of the things they wanted to show us were the waves. Not being a surfer, I had no idea Ireland had much in the way of waves. I grew up learning to swim at Malibu and Zuma beaches in southern California, so I thought I had a pretty good standard for measuring what “surf-worthy” waves were. Oh my. I discovered I was just another ignorant American.

The beach we were taken to was called Mullaghmore and aside from the really beautiful setting on the rocky northwest coast of one of my favorite countries in the world, this place had waves. Like MONSTER waves. Like 60’+ waves. I couldn’t believe how powerful the sea was when it decided to seemingly let out all it’s wrath on the rocky coast of Mullaghmore. I also couldn’t believe anyone would want to get out INTO that water (it is really, really cold). The emotions in my head upon seeing the sea that day there included awe and (honestly) fear. These were truly monster waves. So powerful and majestic and raw.

So when Joy and I spent a few days on the coast here in North Carolina a couple weeks ago, I thought of Ireland. Even though the waves at the outer banks were minuscule compared to Mullaghmore, just seeing the power of the sea again made me want to create a painting that encapsulated that power. Asheville isn’t known for it’s waves, being eight hours from the coast, but as I’ve expressed before, sometimes what makes something a good idea worth doing is determined simply by the desire to do it and the fun it creates inside the heart of the creator. This wave, entitled “Mullaghmore” was worth it for me.

Sometimes, just "having fun" is a good enough reason

“Into Mystery” (36” x 28”)

If you’ve read much of this blog (THANK YOU!), you’ve probably heard me talk about why I paint what I paint. If you are an artist and you want to do that as a full-time job, you have to sell your work. This is not rocket science, right? There definitely is a place in the world for art that shocks and disturbs, but that doesn’t sell easily to tourists visiting my studio in Asheville’s River Arts District, wanting to bring home something that reminded them of their visit to the mountains of North Carolina. So, MOST of the time, I paint either generic scenes (that could remind the viewer of ANYWHERE) or scenes that are reminiscent of this part of North Carolina.

So, if you were to visit my studio (and you’re welcome to do that!), you’d find landscape paintings that are set in various themes having to do with our area. That said, about 10% of what you’d see would not fit that criteria at all. I have some seascapes and some underwater ocean scenes. Why? Because they were fun to paint (I like the ocean too). And then this week, I just finished a piece called “Into Mystery”, which is based on photos of Arizona’s Antelope Canyon. The challenge of painting a location like Antelope Canyon is that I had to figure out some way creating the thousands of lines that have been carved into the sandstone by immeasurable years of wind and rain. My goal here was to create those sweeping lines with texture. This piece was carved, smoothed, covered with metallic leaf, colorized with oil paint and finished with a single layer of resin. Personally, I’m really happy with this one. It was a real challenge but I feel happy with the results.

This painting, if nothing else, highlights my skill

because it was really difficult.

So, how does this piece appeal to some random visitor to Asheville, looking for something to bring home as a souvenir of their time here? Well…it probably doesn’t, and that’s okay. This painting, if nothing else, highlights my skill because it was really difficult. And if putting my skill out there front and center is all this piece does, that’s fine. It’s done it’s job. And who knows…we do get Asheville visitors from out west! So hey, if you’re from Arizona, give me a call! I do free shipping!

Where Does it Take You?

By way of confession, (it’s good for the soul) I admit it’s been way too long since I’ve blogged. This period of time is just really irksome. I’m tired of this virus lurking around. I’m rattled at how divided we’ve become as a country. It just seems like whatever we talk about with our neighbors and/or Facebook “friends” is so often framed in an attack or defense mode. I’ve been coping with the stress by just trying to ignore it all. Writing helps. Painting is my thing though. Anything creative will capture my whole attention and I then don’t think about politics or deadly disease or racist comments from various personalities on the radio. I have found that writing, creating an oil painting or listening to music will carry me to that place of focus and brain-rest. 

One of the things I have remembered during this really weird and stressful time is something my dad taught me when I was a kid and though it had to do with music (he was a musician and piano teacher), it very much affects the way I process all the arts. When I was around twelve years old, I was listening one afternoon to a tape of a collection of classical music (yes, I was a classical music nerd) and he asked me a question that I didn’t know how to answer. “Where does that take you?” I had never thought of that before. He asked me if I knew anything about the piece of music I was listening to and when I said no, he felt it was his God-appointed duty to enlighten me. He explained that the piece was entitled “Prelude to the Afternoon of a Fawn”, by Claude Debussy. He had me rewind the tape to the beginning of the piece, and told me to close my eyes and imagine the scene Debussy was describing with the music, then he turned the tape back on again. 

“Where does it take you?”

I’d never, ever listened to music like that. I usually just listened and decided whether or not I liked the piece simply based on my personal preference. I never thought in terms of “where does it take me”. My imagination was ignited and it was so much more fun than just listening to the piece. It became almost a meditation tool. I saw a fawn by itself int the dark woods, rays of sun stretching through the dark foliage. I saw streams of water, heard the birds, felt the breeze. It was amazing.

That afternoon affected the way I listen to a lot of my favorite music now. I once painted my version of Beethoven’s Fifth Symphony, listening to it over and over and over again, until I imagined what it “looked” like, not just what it sounded like. Where does it take you? This question changed how I listen to music and how I view artwork. When I look at a painting now (and it could be almost any painting — landscape to abstract), I really want to take the time to just stare at it and allow it to draw me in. And I ask that question: where does it take you? 

If you know anything about the way I paint, you know I purposely design an oil painting to draw people in, to engage the viewer. I don’t want it to just look nice on someone’s wall. Especially in these stressful days, I want every painting to take the viewer somewhere, somewhere nicer than here at the moment.

So take the time. Let the art — music, poetry, painting, whatever — let it take you. Where do you go? Where does it lead? Try it, and if you have a minute, comment right here and let me know. Thanks!!