When Remodeling a Home...

WHAT’S WRONG WITH THIS PICTURE?

Waiting until AFTER you remodel the space to consider artwork may be a really bad idea!

I paint and I sell my paintings. That’s my job. One of the biggest parts of this process is working with clients who have just remodeled, or are considering remodeling their home. A comment I often hear from people who are knee deep in remodeling is, “We just realized we have all these walls we need artwork for!”

Yep. That’s often part of the remodeling process. When you build more walls, you create…uh…empty wall space. I love that because it keeps me employed but oftentimes, artwork is the very last thing to be considered when working on a remodel. This is sad because by then, the budget is gone and unfortunately, artwork is not free.

The placement of artwork is really important though, and it should be considered early on in the process. I’m not saying you need to have all the artwork pre-selected before starting remodeling. That isn’t wise. What I’m saying is that you should plan on walls where you want to install key pieces of artwork. Pre-plan those areas because it’s easy at that point to install the correct lighting above the where the artwork will go. It’s so much more difficult to retrofit a space after the fact. And why pay thousands of dollars for a statement piece of art and not have it lit correctly? That just doesn’t make sense.

For a really helpful list of things to consider when remodeling a home, check out this link to a Redfin blog post I was asked to be a part of: Redfin’s Living Rome Remodel Tips. Artwork isn’t the only thing to consider, but it’s usually the last thing people consider and at that point, people are kicking themselves because artwork can theme a room, elicit emotions, pull together colors, and basically put a huge exclamation point on a great design.

Artwork is really important. Buy it on a whim. Yes please. But when you’re remodeling, PLAN AHEAD for it. And feel free to talk to me. Give me a sense of your taste, color samples, emotions you want people to feel when entering the space. All that helps. The right artist will collaborate WITH you and create something that is perfect not just for your space, but for your individual personality. That’s the amazing power of art.

How to Handle Failure

I’ve been super busy lately. Hint: I hate being super busy unless I’m super busy painting. I hear you can have too much of a good thing, but that rule of thumb does not apply to my artwork (not so far anyway). I get lost in my artwork. It’s really my very happy place.

Until last Wednesday.

I was working on a series of three pieces that will be hung together (as a triptych). It was a pretty simple scene — mountain ranges and sky. I know how to paint mountain ranges and sky so I figured that this was going to be pretty simple. I began to apply the paint day after day and eventually, the piece entered “the ugly stage”. So far so good. See, every painting I ever have done has gone through that dreaded “ugly stage”. That stage is where most fledgling artists stop and throw their canvas against the wall and shout out some colorful French obscenities. The thing about the ugly stage is that usually, the very next day, the piece rounds the corner and begins to take on some maturity — it starts to look like what you intended it to look like. That is such an awesome thing. That turning point happens within a day or two of entering that ugly stage.

Until last Wednesday.

I could not make this painting idea work. It was boring. It was ugly and I was coming to the realization that the ugly I was seeing was not just a stage. It was really bad. I’ve heard gallery visitors tell their children, “Oh sweetie, just remember…there are NO MISTAKES in art”.

IF ONLY.

I make mistakes. What you do with the mistake is what will sink you or what will propel you as a creative person into a completely different direction. But oh man, it’s so difficult. I hate failure.

I refrained from throwing the canvases across the room, and I don’t know French swear words and I don’t say English swear words so I was really stuck. I felt so discouraged and frustrated. My painting was ugly and boring. And that is not okay. I sat with that realization and had to just admit that I was not perfect and that THAT was okay.

By the time evening came, I was ready to just scrape off what I’d begun painting and start all over again with a different idea. The “ugly stage” bested me. I think my real problem was that I wanted to just knock out something easy — so I painted mountain ranges and sky. I can do that in my sleep. It turns out that laziness and pride is not the friend of creativity. When I do the best work is when I approach a subject with joy, curiosity, respect and reverence and that is definitely not how I approached my failed triptych.

Maybe creativity needs silence to be ignited.

So at 2:30 AM, I woke up. In that very quiet and still time of the night, nothing was in my head at all. My mind was a completely blank canvas (pardon the pun). And quite unbidden, I instantly saw in my head an idea I’d never thought of before. And then I got so excited, I walked up to my attic studio and seriously contemplated starting to scrape off my old composition so I could begin the new idea right then and there. With wisdom not my own, I decided that idea was over the top and that I needed sleep so…several hours later I began to transform this triptych into something completely different than I’ve ever done before. And I’m having so much fun with it, that I’ve started an additional single painting using the same technique I’m using for the triptych!

Why moments of insight can’t come at 2:00 PM rather than 2:00 AM is unknown to me but that’s often how it works. Maybe creativity needs silence to be ignited. Maybe my heart needs stillness to be able to hear the voice of the real Creator. I don’t know. It feels mystical though.

When I’m done with these pieces. I’m so excited and continue to have so much fun doing what I do. And I’m so thankful people are willing to part with their money in exchange for one of my paintings. That is amazing and humbling.

So, more than ever, I am committed never to forget my real task: to approach every subject I paint with joy, curiosity, respect and reverence, even if it means I need to slow down and be quiet in order to make sure that happens.

"What is it like being an artist these days?"

“Le Canal du Midi”

This week, I was talking to some studio visitors and they wanted to know a bit about my background and how I came up with my technique. I’m used to questions like that, but then they asked about what it’s like being an artist today. And I thought that was a really good question. Pre-COVID (remember those days??) that would have been a relatively easy question to answer. Being an artist is fun! I can (and have) done other jobs. This art thing is not a “job”. This is life. Painting for me is “life-giving”and I absolutely love it. Having a studio in Asheville, North Carolina where I can share my artwork with literally thousands of visitors every year is amazing. What an awesome privilege. How many artists around the country would love the chance to create their art within such an awesome community of artists here in Asheville? Pre-COVID, that would basically have been my answer.

Now, two years into the pandemic and feeling fairly hopeful about all that, my answer honestly is more contemplative and sober. These days, with wars and political discord and cultural polarization, I honestly have gone through weeks feeling really superfluous being an artist. I mean honestly, when the economy is tanking and all the headlines are depressing, it’s really easy to feel like what I do is unimportant and not really “necessary” to anyone but me.

But even during the darkest days of COVID and during this economically “uncertain” time, I make sales. I don’t understand, but I am still making sales and breaking my own records. I am confused and absolutely full of thankfulness. My clients are so, so encouraging and especially during the last couple years, I’ve really received that encouragement with a sense of thankfulness and awe. One 2021 client in Oklahoma said “especially now, I need artwork on my walls that makes me feel what your painting makes me feel. They take me somewhere else. Thank you!”

“I am confused and absolutely full of thankfulness…”

This is so encouraging and really humbling. I am feeling now like I need to take every painting, every creative project really seriously. This work I do isn’t just to create something that looks nice on a wall. What I want to do is to affect people. During times of uncertainty, grief, fear, frustration and anger…if I can, I’d like to create something that brings a sense of peace; something that will inspire imagination and curiosity in the viewer. I want to create something that will “take them away” to a peaceful place if only for a few minutes. If ALL of us did that, this world would be an awesome place to call home.

I can’t change the world for everyone. But if everyone changed the world for one person, that would really be something. I try to do that with the only thing I know how to do well…art. What do you enjoy doing? How could you use that to encourage the life of one person this week? You up for that? If so, I’d love to know any details you’d like to share. I think this planet, these people (broken though we are) are really worth investing in. THAT is why I do art now.

"Are All Artists Introverts?"

How many extroverts does it take to change a light bulb? Twenty. One to change the bulb and the others and cheers him on and enjoy that moment of comradery.

How many introverts does it take to change a light bulb. None. He’d rather light a candle instead because of the beautiful ambience that candlelight creates.

Wow, okay this morning I was talking to a studio visitor and she was really trying to understand the artist mind. GOOD LUCK WITH THAT ONE! After trying to figure me out, she said that she assumed that all artists were introverts and that it was so odd I was obviously an extrovert.

But…

I am no extrovert. I know how to act like an extrovert. I even enjoy it. But it’s exhausting to me. I don’t think she believed me when I told her that though. ”You seem like a happy person though,” she said, “and obviously one that likes being around people”.

This brings up so many thoughts in my head, and I need to write them down to process them:

• First of all, I would imagine an artist could be EITHER personality type. I would also imagine that the art an extrovert would come up with might look and feel different from that produced by an introverted mind, but maybe not. But yes, I don’t know what being an extrovert or introvert has to do with being an artist of some sort.

• This woman was seriously doubting that I was in truth an introvert (because I seemed happy and obviously enjoyed people). Okay look, introverts are not always depressed. There. I said it. You know, extroverts can get depressed too. Introversion and misery are not synonymous. I personally know introverts who laugh. True statement. And we can be very happy (as long as we get some alone time to recharge). And both introverts and extroverts have to recharge to love people well and to enjoy life. We both do it, we just recharge differently.

• Introverts don’t hate being with people. We get bad press. Being an introvert does not mean you don’t love and enjoy people. My gosh, from what I read, even Jesus Christ went off by himself at times to be with his own mind and his God. I don’t think people associate Jesus with someone who did not love and enjoy people though, right? Extroverts may like huge parties (with 100 of their closest friends) and loud music and lots of commotion. I get that. I don’t understand that but I get it. See, introverts like SMALL get togethers or one-on-one social settings so that we can have a real, deep, powerful and honest conversation. I’m not saying that extroverts don’t experience that at their large, loud parties. I just don’t fathom how that’s possible. But then, I’ve never been an extrovert so I’m completely ignorant on that point.

I admit I’m totally baffled by extroverts in general. You are a complete and wonderful mystery to me! I need y’all in my life though. My wife and three of my four kids are extroverts. Introverts desperately need extroverts in their lives. You keep life very entertaining! And I would think extroverts need introverts in their lives too. Because of our differences, we can compliment each other, like a bit of salt and a bit of sugar in that cookie recipe you like. Salt and sugar are very different but they go together so well.

So bottom line, I do not believe all artists are automatically introverts. I may be wrong. Honestly, I have no idea. I do think that what makes you introvert and extrovert is not really what you do per se, it’s where you go to recharge emotionally and spiritually AFTER you do whatever you do. My wife and kids totally get recharged by being with people. I get recharged by sitting by myself and letting my mind rest. It’s not that an introvert longs to sit in the dark and embrace misery. It’s joy we are trying to embrace there. Personally, I really crave quiet sometimes. We both (extroverts and introverts) need that recharging time so we can be ready to get back to the craziness and joy of life, it’s just that we have different types of batteries we’re charging I think. What a complex and beautiful thing is a human mind!

I feel better now. Back to painting.

What Makes a Painting a Good Piece of Art?

What I do is typically done by myself. I’m an artist and I paint. But the WAY I do it involves regular contact with people who visit Asheville. That keeps me psychologically balanced I think! One of the great things about my business model is that I get to hear all sorts of questions from visitors. Some of them crack me up. Some of them test my patience. And some of them make me think.

One really good question I got a couple weeks ago was from a couple visiting from New Jersey. They love looking at artwork but I could tell they had no confidence in “judging” art, so I had a really great time explaining to them that like it or not, they DO judge art all the time and that that’s okay. That’s a topic for another day, but the question they asked was “Just because I like a painting, does that make it good art? What makes a piece of art “GOOD” art? Is it entirely subjective?”

It needs to adhere to the rules of the craft, or break them skillfully.

Oh, that’s such a great question. My answer took about thirty minutes to explain and I still only scratched the surface. What makes art “great” art IS subjective, but it’s also objective. That combination is what makes it tricky. What makes a painting a great painting is determined the same way as determining what makes a song a great piece of music; what makes a poem a great example of poetry, or what makes a rendition of Beef Wellington a perfect “Beef Wellington”. All art can be judged. I’m not encouraging people to be “judgmental”. I’m just saying that judging all these things is natural and we all do it and that that’s absolutely fine. But just because I personally like this chef or this poet or this musician or this artist does not make what they produce “great”, right? What is that standard something has to meet in order to considered great?

Well, in my opinion…

1) ATTENTION TO DETAIL. It needs to be well-crafted and that well-craftedness should be obvious. There needs to be that mystified “How’d they do that?” asked. Great skill level counts and will be obvious.

2) INNOVATIVE. It needs to display a new take. There is nothing new under the sun, that is true. But to be considered “great”, I think there needs to be something unique about it. Otherwise (even if it’s well done), if it’s just like the next song, poem, plate or painting, what’s the big deal about it? Why does it matter? There must be something that grabs attention. There needs to be some obvious imagination involved in its production.

3) RULES, RULES, RULES. It needs to adhere to the rules of the craft, or break them skillfully. Like it or not, there are rules to art. There are mathematical rules that determine pleasing proportions. There are spelling and punctuation rules used in writing. There are rules that dictate pleasing intervals of sound when one writes a piece of music. There are rules that dictate great or horrible results in cooking. Rules are everywhere. And they can be skillfully broken, but you really need to know those rules intimately, inside and out, before you know how and when to best break them.

The thing is, if there is artistic expression that adheres to these three points, people respond to it. You can’t help but respond to it. It creates pleasure.

At this point in my talk with my studio visitors, the gentleman said, “But when I go into an art museum, half the stuff there just looks like crap to me. I mean, my two year old could do a better job.” Yep. Sometimes I think that good artwork ends up on people’s walls. Artwork that can’t be sold (i.e. no one wants it in their home) ends up in an art museum. Perhaps that’s too cynical. Probably. But there’s an old Dutch saying that probably applies here:

“Just because a mouse lives in a cookie jar does not make it a cookie”.

I think I’ll leave it at that.

The Story Behind…"Gentle Showers on a Summer Afternoon"

Have you ever hiked in the rain? Well, we can now say that we have. Understand, this was not the original plan, but one thing about doing ANYTHING outside in the mountains of Western North Carolina in July is that those plans always need contingencies for an afternoon thunderstorm.

The morning was gorgeous. North Carolina is known for it’s blue sky, and the locals are really proud of it. “Carolina Blue” they call it. And in the mountains above most of the summer humidity, that blue sky is truly gorgeous. So that Saturday morning a couple summer ago, we packed our backpacks with sub sandwiches, lots of water and Pim’s. I’ve written about Pim’s before. Many thanks to the British for that wonderful, awesome “biscuit”. So good. It’s to the point now that it’s just not a proper hike without the Pim’s.

We headed northeast to a trail we’d not taken before (towards Roan Mountain on the Tennessee border) and began our walk. Wildflowers were EVERYWHERE and the air was perfect — warm but not oppressively hot and a wonderful breeze was coming from the west. By early afternoon, a few clouds began gathering over the high peaks and by the time we stopped for lunch, we were getting a few (just a few) rain drops. And then…

“…we looked back across the valley and I kind of gasped…

And then the thunder started, so we spent about an hour hiding under some overhanging rocks by the stream we were following, rating the thunder on a scale of 1-10. We ended up wet and kind of cold (but we still had our Pim’s so all was not lost). After the rain shower was over, we decided to head back to the car as fast as we could because we saw more rain coming in the distance. When we got back to the car though, we looked back across the valley and I kind of gasped. I pulled out my phone and snapped a photo. And then…I painted it.

I think the moral of the story is that even when something uncomfortable or frightening is happening, I need to look around and see the beauty around me even then. Sometimes it’s exquisite. Sometimes it’s worth painting!

The Story Behind..."Blue Ridge Summer Afternoon"

“Blue Ridge Summer Afternoon” (26” x 40K”)

Not all the paintings I work on come from a personal story, but a fare number of them do. This piece, “Blue Ridge Summer Afternoon” definitely has a story. Back in 2020, as the pandemic was sweeping the country, Joy and I (like so many others) were doing all we could do to keep safe and to help lower our stress levels as much as we could. For us, this meant we needed to spend time exploring the outdoors on our local hiking trails. In North Carolina, our mountains are not giants. They’re not the Alps. They are not the bombastic, dramatic “teenage” mountains like the Sierra Nevada range in California or the the Rocky Mountains in Colorado. The Appalachians are ancient. Once high and mighty, they are now just a bare hint of what they once were when Africa was pushing up against the east coast of North America. But what the Blue Ridge lack in massive grandeur, they certainly make up for in the way of quiet, peaceful beauty. I have grown to love these gentle, worn down mountains.

“…we had a quiet day to ourselves, celebrating nature and the kindness of God.”

This one afternoon in the summer of 2020, we packed our backpacks with a couple books, plenty of water and our lunch, and headed south to the border of Smoky Mountains National Park. The weather was perfect for hiking…warm but not too hot, slightly cloudy (we got just enough shade now and then) and a gentle (if not humid) breeze coming in from the southwest. On our entire hike, we passed only one young couple and a golden retriever, so we had a quiet day to ourselves, celebrating nature and the kindness of God. It was wonderful. Imagine complete silence, only broken by the leaves rustling now and then in the occasional breeze and the ubiquitous sound of song birds, seeming to be completely enjoying the day as much as we were.

By mid day, we made it to the top of the crest, where we were promised a good view on the Alltrails review we’d read, and we stopped to have lunch and just sit. We found some decent shade beneath a couple balsam trees and planted ourselves there for the afternoon. We talked some, but mostly just sat, read our books and just soaked in the peace. It was really needed right then, and I so appreciated the opportunity (just 90 minutes from our home) to be there, to be with Joy, and to be with the song birds.

This painting was composed from several photos I took that day.

Your Opinion Please...

Okay so, I have a question and I’d be really curious about YOUR answer (ALL OF YOU READING THIS). True confessions…I love to explore, and then I love to paint what I find on that exploration. Most of what the visitors to my Asheville studio see on my gallery walls is the result of me painting what my wife Joy and I discover while exploring the western North Carolina mountains.

I was told years ago that what I paint and display in my Asheville studio should be (since it’s western North Carolina we’re talking about) Western North Carolina scenes. If that is really the case, I can be happy with that guideline probably forever. I love this part of the country. I love our gentle mountains. Places like Grandfather Mountain, Gorges State Park, Smoky Mountains National Park, and pretty much any vista seen from the Blue Ridge Parkway — there is far more than one lifetime of potential paintings right here. But…

In your opinion, should I stick mostly to local scenes or when I travel to various parts of the country (or various parts of the world), would you like to see paintings inspired by those places? I love painting. Period. I could probably paint my navel and be happy (but it would not sell). Trust me on that. I need to paint sellable paintings since selling my paintings is what I do to pay my mortgage and buy food to eat. And I like food to eat. I need what I choose to paint to (eventually) be sellable. So do I paint what excites me even if it’s a scene that is set far from an Asheville, North Carolina locale, or should I play it safe and continue to mostly paint local scenes?

That’s my question. And your response here would be SO much appreciated.

What's in a Compliment?

When I was a kid, I used to love looking through Time-Life books when I was bored. My parents had a whole set of them and my favorite one of all was about artists. I was mostly interested in impressionism. I had no idea why. I liked the colors. And yes, I really was that big a nerd.

It wasn’t until I was in high school that I learned that the impressionists like Monet and Renoir knew something about colors I knew intuitively but had not really had the time or maturity to have thought it through. What made the colors they used “pop” was their use of complimentary colors. So when most of the kids in my tenth grade art class were staring out the window or counting the dots in the acoustic tiles overhead (I saved that activity for algebra class), I was wrapped in attention. The teacher was explaining what seemed like the secrets of the universe. “This is how colors work”…amazing.

So, here’s the secret of the color universe…

When using primarily one color for the main subject of the painting, use the opposite color on the color wheel for the shadows or accents. The photo of the painting I did (at the top of the page) uses primarily green as the primary color, correct? What color is on the opposite side of the wheel? Maroon and purple, right? So look at the accent colors I used in the background and in the pathway…maroon and purple! Voila!

I literally think through this while painting every single piece I paint. I want colors to stir the viewer. I want colors to grab you and slap you silly. That is done not just with bright colors, but with complimentary colors.

I want colors to stir the viewer.

So what’s in a compliment? Everything (when you’re an artist).

I think there’s a life lesson here too. It’s getting more and more popular to demonize “the others” (people who are not like us). But my best experiences with relationships have ended up being with people who were both like me and completely unlike me. Opposites. What an amazing thing it would be if people from my own culture would seek out different cultures and people and languages and work together to create a more beautiful cultural experience than would ever be possible when that culture is “monocultural”. What a shame. I’d never create a painting with just warm colors. If I didn’t use some cool colors as well, that painting would not be beautiful at all. Again, maybe it’s just my opinion, but we may all have something to learn about life from our tenth grade art class!

My Christmas Present to Joy

“One Plate, Two Forks” (24” x 24”)

My fingers are cramped, my shoulders may well be permanently hunched and my brain is fried from the most tedious painting I’ve done in a long, LONG time. Do you feel sorry for me? Ahhhh, don’t. I was still having fun because I love painting. But really — this is probably the last photorealistic painting I’ll ever paint, so I pulled out all the stops. And this was my Christmas gift to my wife Joy, so…it had to be the best I had in me.

This painting, “One Plate, Two Forks”, is based on some photos I randomly decided to take on an early summer afternoon several years ago, when Joy and I first moved to Asheville, North Carolina. I had not yet started an art studio so technically my “art career” had not even begun. Joy and I were exploring downtown Asheville and we were both getting tired of walking. We mutually decided we needed coffee and maybe a snack, and so…we walked back to the car and drove up to the Grove Park Inn. This place has a “Vintage National Park Lodge” look to it, with huge stone fireplaces in the cavernous lobby (you seriously could fit a medium sized tree in one of the hearths!). Anyway we made our way out to the terrace restaurant overlooking downtown Asheville and the surrounding Blue Ridge Mountains. It was really a perfect afternoon.

My understanding was that we were going to get coffee and cherry cheesecake (we’d heard it was amazing). Let me clarify that expectation: My understanding was that we would both get our own cheesecake and our own coffee. But then, after we sat down and looked at the menu, Joy announced that just a coffee was fine with her…(long pause)…”I’ll just have a couple bites of your cheesecake if that’s okay”.

If that’s okay.

I’m no idiot. That statement is code for “I’m going to devour half your piece of cheesecake Steve”. After emotionally recovering and readjusting to the new, truly sad direction this conversation was going in, I agreed.

“One plate, two forks, please.”

That really describes our whole marriage I think. It’s all about sharing. I hate sharing. But it’s so, so good for me to do. She’s willingly shared really horrible and frightening experiences with me and she’s shared really awesome, adventurous and fun experiences with me. This piece of amazing cheesecake was just a good object lesson. There was our life on a plate…shared.

…that question is code for “I’m going to devour half

your piece of cheesecake Steve”.

You definitely do give up something (sometimes a WHOLE lot) when you share yourself, your grief, your joys, your experiences, your time, your cheesecake with other people. But I have found (I’m donning my philosophers hat right now) that you really do gain more than you loose if you share from a willing heart. And it’s different than just passively letting someone TAKE something from you. That’s not sharing, though I have sometimes confused it for sharing. It feels like that’s an expression of weakness, and can lead to resentment of the one who “took”. I think sharing something assumes you're willing to sacrifice for the sake of another because you love them. That, I think, is an expression of strength, not weakness. Love costs something.

So as a matter of fact, “Yes. You may even have half my beloved cheesecake. Let me just draw a line down the middle so it’s fair…”