How do you create when you don't feel creative?

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I get in conversations with interesting visitors to my art studio all the time. And quite often, they ask about "the fuel" for creativity and how it works. I get the impression that a lot of people think that artists are kind of "air heads" -- that we create only on our terms (just when we "feel" like it). I get the impression some people think that if it's "not working" for me as an artist today, if I'm just not feeling "inspired", that I just sit around the house and drink beer and play Legend of Zelda all day long until I "feel" like painting again. 

How do you create something when there's just nothing left inside your head or heart to work with?

But that really doesn't describe the way any of us do anything does it? Sometimes, you just have to do your job even when you don't feel like it, whether you're a heart surgeon, auto mechanic, project manager or yes, even an artist.

People have asked "but how do you create something when you just don't feel creative? How do you create something when there's just nothing left inside your head or heart to work with?

That is a really good question and I'd like to share my own answer. I say "my own" because I am not going to try to speak for any other artist. This is just my own way to deal with that "empty" feeling every full-time artist out there gets. Keep in mind that I don't have the option of just just staying home and playing video games. My wife Joy will not let me. I have hours posted on my art studio door and I am not going to sell artwork if I am not there with the door unlocked. And to pay my mortgage and all my other bills, I have to be selling artwork. So I HAVE to keep creating. But how do you do that when you're running on empty?

Creating is like exhaling...

Don't let the needle get down to the little red "E". Don't get empty. Creating is like exhaling, and unless you inhale, you cannot exhale. The ancient Hebrews pictured God creating the universe with a breath. It's a beautiful, poetic way of putting it. God exhaled and the universe was born. When we write, or paint or cook or whatever you do that can be considered "creative", you are (in a sense) breathing out, taking various ingredients (whether they be Cadmium Red and Thalo Blue oil paint, or puff pastry, beef tenderloin and mushrooms) and with skill, you assemble something that was not there before. That's how creation works. And if you ever get to the point where you feel like you're running on empty and that creative juices have just dried up, it's because you've been exhaling until you're ready to pass out. Don't do that.

Breathe...in.

I think what "breathing in" looks like for each person will vary. If you're an introvert like me, then breathing in might be just sitting at a window staring at the rain drops hitting the porch, or reading a good book, or praying, or going for a walk, or having a super deep conversation with one or two really close friends. If you're an extrovert, I would assume you might still need to do some of the things I've listed (though I don't know for sure -- you are a sublime mystery to me), but you probably will want to be with more people at one time than I would feel comfortable being) but hey, whatever recharges you and leaves you going home feeling energized....THAT is inhaling.

If a "creative" does not inhale, he or she will eventually stop exhaling. That's just how it works. When I go on vacation and have a huge amount of inhaling time, it's like sucking in too much oxygen -- I can't wait to exhale! And that's when I come up with the big ideas that push my artwork forward several steps all at once. 

So you don't feel creative but need to create?

Stop.

Inhale. Inhale deeply.

If you inhale, you will have to exhale. It just will happen. I promise.


 

Gallery Representation in Hendersonville!

I'm super excited to announce that I'm going to be represented in Hendersonville, NC right there on Main Street at the Silver Fox Gallery (508 N. Main Street). I just toured the gallery today with Joy and it's a really wonderful collection of furniture and really exquisite home furnishings (including artwork). If you're in the area, it's most definitely worth a visit. Tell them I sent you!

I'm excited about it for several reasons. First, it'll be great to be represented right there on Main Street (just across from Mast General Store). I've always LOVED Main Street, Hendersonville. It's full of tourists in the summer and it's just a really nice place to walk around, check out galleries, antique stores, grab some ice cream, visit the bakery and go to dinner. There's also a wonderful kids museum just up the street, Hands On! Children's Museum (with grandchildren that visit, we go there often). So anyway, I love the location.

Secondly though, this gallery is very deeply involved with interior design projects (they have on-staff designers) and I've had super great experiences in the past working directly with an interior designer on special custom projects in the past (the Pardee Cancer Center, City Centre project in downtown Asheville and including the main elevator lobby, and the Hilton Garden Inn lobby.

So hello Hendersonville! I'm glad to be a part of what's going on in one of the coolest little towns in North Carolina!

Metalizing the Biltmore Estate

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One of the really great commissions I got this winter is from a local couple with season passes to the Biltmore Estate. They asked me to do a painting from the vantage point of the tree-lined pathway between the reflection pond and the French Broad River. If you look closely, you'll see the Biltmore House up on the hill (mid-way up the piece on the left) as well as a small row-boat in the lower left corner. I don't usually post pieces half way done, but this one just looked too cool not to share it!

I love commissions. They always surprise me. Just about the time I feel like "Oh, that was the most fun commission I've worked on", someone comes visiting my Asheville art studio and asks me, "Hey, can you paint this?" Oh yeah. 

If you're in Asheville and would like to visit the Biltmore House (yes, it really is worth saving your pennies to see), you'll need a whole day to see the house and walk the massive grounds and gardens. 

Okay, enough writing now. I need to paint the Biltmore House now. That'll take a while!

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Four Seasons on the Blue Ridge

"Four Seasons on the Blue Ridge" (Each panel 10" x 24")

"Four Seasons on the Blue Ridge" (Each panel 10" x 24")

What is it about the theme of the Four Seasons? It's always a winner. When you think about it, it's almost strange because I think most people hate change. We are indeed creatures of habit in nearly everything we do. There's a security in habit, in sameness, in routine. But all the rules are broken with the very popular theme of the Four Seasons (which is all about change!). Maybe we're not as addicted to sameness and routine as they say we are. 

What would it be like if all four of the above panels were winter? Or spring? Boring. It would never sell. But show the same scene as it undergoes the annual metamorphosis from death to life to death again (going out in a blaze of glory) and it immediately gets attention. 

And I suppose you can emphasize different ideas by how you organize the panels. Start with Winter and end with Autumn (as I've organized the panels above), you might emphasize resurrection and growth to maturity (and that maturity is a beautiful thing). Start with Spring and END with Winter, you might emphasize the whole natural life cycle: Birth (with Spring) and ending with death (in Winter). I did not organize the panels that way because by all accounts, I'm getting into the Autumn phase of life and I'd rather not emphasize my impending doom. 

So whether it's my artwork, or Vivaldi's famous "Four Seasons" or any number of takes on the theme, we keep coming back to it...the beauty of the passage of time, and it's new every time it's illustrated. This was a fun project and I think I may come back to it myself from time to time. 

So, if you're visiting Asheville's River Arts District soon, come on by and take a look in person. And you can rearrange the panels to send whatever message you'd like!  Cheers!

About Ice...

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A few months ago, the artists in my building (Pink Dog Creative) on Depot Street in Asheville's River Arts District were asked to consider being a part of an art exhibit which would correspond with the 2018 meeting of ClimateCon, a collaborative gathering of business and science professionals who come together to advance the development of data-driven products and services. This year's meeting is in Asheville (for more info, check out climatecon.com).

So, in thinking about the task of creating a piece of artwork that has something to do with the environment was somewhat challenging. My artwork is nature landscapes mostly so you could say that ALL my artwork has to do with the environment. But I wanted to try something different (because that's more fun).

The Research Begins...

So I was looking on line at "climate change photos" and I saw a photo of a glacier with some craggy mountains and blue sky in the background. I loved the blues in the ice. It almost looked like an abstract painting. So...there was my idea. I painted a glacier. I cut out the mountains and sky and just focused on the ice. And I had a blast.

So as I've painted this piece, I've been doing research on polar ice caps and I've been trying to find an answer (a clear answer would be nice) to the (seemingly) very simple question: "Are the polar ice caps actually melting?" Just so you know what I had to deal with in piecing together a cogent answer to that question...

A Summary of my Vast Scientific Research Follows:

In a NASA article entitled "Mass Gains of Antarctic Ice Sheet Greater than Losses"...

“We’re essentially in agreement with other studies that show an increase in ice discharge in the Antarctic Peninsula and the Thwaites and Pine Island region of West Antarctica,” said Jay Zwally, a glaciologist with NASA Goddard Space Flight Center in Greenbelt, Maryland, and lead author of the study, which was published on Oct. 30 in the Journal of Glaciology. “Our main disagreement is for East Antarctica and the interior of West Antarctica – there, we see an ice gain that exceeds the losses in the other areas.”  Zwally added that his team “measured small height changes over large areas, as well as the large changes observed over smaller areas.”

So, ice is growing!

Well, not so fast. There's more...

Also from NASA, an article entitled "End-of-Summer Arctic Sea Ice Extent is Eighth Lowest on Record",

 Arctic sea ice, the layer of frozen seawater covering much of the Arctic Ocean and neighboring seas, is often referred to as the planet’s air conditioner: its white surface bounces solar energy back to space, cooling the globe. The sea ice cap changes with the season, growing in the autumn and winter and shrinking in the spring and summer. Its minimum summertime extent, which typically occurs in September, has been decreasing, overall, at a rapid pace since the late 1970s due to warming temperatures.
This year, temperatures in the Arctic have been relatively moderate for such high latitudes, even cooler than average in some regions. Still, the 2017 minimum sea ice extent is 610,000 square miles (1.58 million square kilometers) below the 1981-2010 average minimum extent."

So is sea ice growing or shrinking???

According to Forbes,

"Updated data from NASA satellite instruments reveal the Earth’s polar ice caps have not receded at all since the satellite instruments began measuring the ice caps in 1979. Since the end of 2012, moreover, total polar ice extent has largely remained above the post-1979 average. The updated data contradict one of the most frequently asserted global warming claims – that global warming is causing the polar ice caps to recede.

GREAT NEWS! So they're not melting AT ALL!

Oh wait...

According to The Guardian,

The Arctic ice cap melted to hundreds of thousands of square miles below average this summer, according to data released late on Tuesday.

So they're melting? Well yes. And no. It turns out the arctic ice cap is melting (you can see satellite images that clearly show the extent). But the antarctic ice cap is growing AND shrinking, but overall growing.

According to Inside Climate News,

"While Arctic ice is melting at a record pace, a team of NASA-led researchers say they can explain why Antarctic sea ice has been edging in the opposite direction. That paradox has puzzled scientists for years and given climate-change deniers fodder to dispute global warming.
The group found that the icy winds blowing off Antarctica, as well as a powerful ocean current that circles the frozen continent, are much larger factors in the formation and persistence of Antarctic sea ice than changes in temperature.
The mighty Southern Ocean Circumpolar Current prevents warmer ocean water from reaching the Antarctic sea ice zone, helping to isolate the continent. The winds within that ice zone keep the water extremely cold, enabling the sea ice cover to grow in recent years even as global temperatures have risen markedly.
The findings are based on satellite readings of Antarctic sea ice movement and thickness, as well as new, detailed interpretations of charts showing the shape of the sea bottom around Antarctica. They were published online this month in the journal Remote Sensing of Environment.
Arctic sea ice and glaciers around the world have been dwindling quickly. And scientists have published dire warnings that several ice shelves in West Antarctica are being undermined by warm currents where they connect to the ocean floor. That melting phenomenon is expected to lead to significant, unavoidable sea rise over centuries.

So, my glacier painting will most certainly not make the polar ice cap grow rather than shrink. But it might get people thinking, talking and debating. And if that's all a piece of artwork does, well then...I can definitely live with that.

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What's Next?

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I really do like this time of year. January is a time for resolutions, right? It's a great time to take stock -- to look back at last year and the year before and see where we've come from, what's worked well, what we need to change in order to where we want to get to this time NEXT year. I love this by the way. I love dreaming and scheming.

Planning and Scheming...

As an artist in Asheville's River Arts District, I really do work right in the middle of the best place to create art right now. I say "right now" because things change (they always do) but for right now, Asheville is unmatched as a location to produce (and sell) art. I have a few galleries around the south that carry some of my artwork, but about 95% of what I sell is sold right from my art studio to folks I've met and enjoyed conversation with. I love this business model. But one of the things I decided to do this year was to put more time into diversifying my sales, by reaching out to other galleries and looking for creative ways to connect with more people. Right now, all my eggs are in one basket really. I open my door and paint. That's my marketing strategy. Because in Asheville, an artist doesn't necessarily have to go around the country setting up their booth at this and that art show in order to sell their art and get exposure. People come here and I get to stay put. But if things change (and as I said, so far when an arts community has existed like this before, it's been a temporary phenomenon), then I could go scrambling if I don't take advantage of this time I have right now.

So, I'm looking for other galleries in good locations and I'm looking into juried art shows around the country.

That's my big goal for 2018. Check back this time next year for a report on how I did!