statement piece

"Big Mamma" begins to sing....

Sealing of "Cullasaja Falls" 

Attention Please

My son Gerin and I hauled my painting "Cullasaja Falls" (affectionately known as "Big Mamma") across the street to do the final sanding and sealing (seen here). Now, the composition is complete and it's ready for the application of aluminum leaf. This painting is begging to be a major statement piece or entrance art (eventually) and it's been exciting seeing it beginning to "come to life" and I can't wait to begin the color application. More to come...

An Experiment with Moonlight

"Moonlight Sonata"

"Moonlight Sonata"

By the Light of the Silvery Moon

"Moonlight Sonata" was a bit of an experiment in that I don't usually paint a "moonlit" scene, mostly because I don't want the overall tone is too dark (simply because for my paintings to work, I need light being able to reflect off the aluminum leaf background and back through the paint I've applied. So for this painting to work, I had to play with the darkness of the color, the thickness of the paint, and the judicious placement of white paint (the most opaque paint I use). The result honestly is what I saw in my head, so I'm really happy with the piece. Three cheers for experimentation!

Transfiguration

"Transfiguration"

"Transfiguration"

The concept of visibly morphing from what you appear to what you really are...that is to transfigure. That is the concept that led to the creation of this painting. 

The Transfiguration (by Edwin Muir)

So from the ground we felt that virtue branch
Through all our veins till we were whole, our wrists
As fresh and pure as water from a well,
Our hands made new to handle holy things,
The source of all our seeing rinsed and cleansed
Till earth and light and water entering there
Gave back to us the clear unfallen world.
We would have thrown our clothes away for lightness,
But that even they, though sour and travel stained,
Seemed, like our flesh, made of immortal substance,
And the soiled flax and wool lay light upon us
Like friendly wonders, flower and flock entwined
As in a morning field. Was it a vision?
Or did we see that day the unseeable
One glory of the everlasting world
Perpetually at work, though never seen
Since Eden locked the gate that’s everywhere
And nowhere? Was the change in us alone,
And the enormous earth still left forlorn,
An exile or a prisoner? Yet the world
We saw that day made this unreal, for all
Was in its place. The painted animals
Assembled there in gentle congregations,
Or sought apart their leafy oratories,
Or walked in peace, the wild and tame together,
As if, also for them, the day had come.
The shepherds’ hovels shone, for underneath
The soot we saw the stone clean at the heart
As on the starting-day. The refuse heaps
Were grained with that fine dust that made the world;
For he had said, ‘To the pure all things are pure.’
And when we went into the town, he with us,
The lurkers under doorways, murderers,
With rags tied round their feet for silence, came
Out of themselves to us and were with us,
And those who hide within the labyrinth
Of their own loneliness and greatness came,
And those entangled in their own devices,
The silent and the garrulous liars, all
Stepped out of their dungeons and were free.
Reality or vision, this we have seen.
If it had lasted but another moment
It might have held for ever! But the world
Rolled back into its place, and we are here,
And all that radiant kingdom lies forlorn,
As if it had never stirred; no human voice
Is heard among its meadows, but it speaks
To itself alone, alone it flowers and shines
And blossoms for itself while time runs on.


But he will come again, it’s said, though not
Unwanted and unsummoned; for all things,
Beasts of the field, and woods, and rocks, and seas,
And all mankind from end to end of the earth
Will call him with one voice. In our own time,
Some say, or at a time when time is ripe.
Then he will come, Christ the uncrucified,
Christ the discrucified, his death undone,
His agony unmade, his cross dismantled—
Glad to be so—and the tormented wood
Will cure its hurt and grow into a tree
In a green springing corner of young Eden,
And Judas damned take his long journey backward
From darkness into light and be a child
Beside his mother’s knee, and the betrayal
Be quite undone and never more be done.

"Golden Pathway"

"Golden Pathway" (4' x 5')

"Golden Pathway" (4' x 5')

Birch Trees in Autumn

#4 of 4. This is the last panel for the Oklahoma City commission I have been working on. I poured the first layer of resin on this one and embedded thousands of pieces of broken up gold on top of the tree texture on the canvas. It's pretty sparkly now. Tomorrow morning, we're packing up a cargo van and headed west for the delivery.

Flowers, Flowers Everywhere

"Field of Tulips" (4' x 5')

"Field of Tulips" (4' x 5')

Thousands of Tulips

This one was just a bit challenging in that it features about 3000 tulips, first sculpted in modeling compound and then painted. Good thing I love my job. This one is also part of the Oklahoma City commission (painting 3 of 4).